Hi everyone, it’s Erin from @gofontyourself. Today I am going to show you how to easily make rainbow cupcake wrappers. Since the dessert is always the star of the birthday party, it’s fun to dress them up and really make them shine! For this rainbow themed birthday, I’m using Zebra’s Mildliner Brush Pens to make these wrappers really pop!
First, you’ll need a cupcake wrapper template. There are so many free ones on Pinterest and you can pick whatever shape works best for you. I chose a simple ruffle top and cut them out with scissors. You can also find these templates in SVG format and cut them out on your Cricut or Silhouette machine.
Step 2: Decorate the Wrapper
Determine which side of the wrapper will be the outside and which side will be the inside. Once you have chosen which side is the outside, use your Mildliner Brush Pens to decorate it!
Step 3: Secure the Wrapper
Once the wrappers are completely decorated, fold and secure them in the back.
Step 4: Place Cupcake in Wrapper
Now that your wrappers are decorated and secured, you can place them over your cupcakes. And, presto! You have matching cupcake wrappers for your rainbow themed party.
When it comes to finding a career mentor, there are several things you should take into consideration before deciding who you should ask to take on this role.
Below are some tips on how to find the right mentor for you and your career.
1. Know your goals
What is it that you want to gain from a mentor?
List out your goals so that you know what you would like to accomplish.
Think about what you want to achieve professionally in the next year, three years, or five years. Can you accomplish these goals on your own, or will it require some insight? Understand what goals may require some help and what goals are easily achievable on your own. It will be easier to find a mentor if you know what your long-term goals are. If you set a timeframe for your goals, a mentor will be better able to guide you down the right path. The more specific you are with yourself and your goals, the easier it is on your mentor.
2. Find someone you want to be like
Ask yourself, “Who do I look up to? Why do I look up to them?” As a first step, identify someone that inspires you through their work and establish what about them makes you feel inspired.
Now, if the person that immediately pops into your head isn’t necessarily accessible to you, consider someone that you may know personally, professionally, or through other connections that fits your aspirations. Ask to speak with them and be prepared to take notes. Once you set up a meeting, bring along your G-450 Gel Retractable Pen and be ready to take notes on the path this person took to get where they are today. Ask any questions that you may have or explore what goals they set for themselves and what steps they took to achieve them.
Through this process, you may, in turn, find your new career mentor right then and there!
3. Find a mentor that can help your weaknesses
Turn your weakness into your biggest strength. When you are searching for a mentor, it’s ideal to seek out someone who can help you with your weaknesses. For example, if you find public speaking a challenge, try to find a mentor who can help you overcome this. Chances are they struggled with a weakness in their work history and will have valuable tips on tackling these difficulties.
4. Be aware of your current network and reputation
There’s something to be said of the adage, “You are the company you keep.” Think about how you heard of your potential mentor. Then consider how your potential menor may have heard about you. Your network and reputation can hinder or heighten your career. For example, if you have a reputation for being punctual, professional, and driven, that will show through your work and through your network.
If you seek a mentor and are just beginning your career, remember that the individual may not be aware of your work. If this is the case, and you have never talked to them, try to find a mutual connection. Or, reach out to them directly. There’s nothing wrong with citing your potential mentor’s work or accolades as inspiration. Use examples of how you applied their work or ideas to a project and what the results were. Chances are they will feel a connection to you and be even more interested in being your mentor.
5. Set up a meeting
If you believe you have found the right mentor, don’t just jump right into things and ask them to be your mentor. Instead, ask for a brief, informal meeting. Come up with several questions that you would like to ask your potential mentor, but don’t make the meeting feel like an interview.
We suggest bringing a notebook and your G-750 Gel Retractable Pen, and asking if they don’t mind you taking notes during the meeting. This way you can be sure to write down any helpful information or tips your prospective mentor may mention, and you can readily write down any questions that may pop into your head during the initial meeting.
Once the meeting is over, be sure to ask your possible mentor for their contact information and send them a handwritten thank-you card. To write your thank-you card, we recommend using a simple, standard thank-you card with the G-750 Gel Retractable Pen. The G-750 Gel pen is perfect for writing in a card due to its smear-free ink: you won’t need to worry about any smudges in your card! When your prospective mentor receives your handwritten card, they will know you are professional, respect their time, and it may even set you apart from others that may be seeking a mentorship.
6. Develop an elevator pitch
Once you have had your initial meetings with prospective mentors and decide who you want your mentor to be, it’s time to write your elevator pitch. Understand your goals and why you believe this person will be the right mentor for you and you the right mentee for them. Be sure to include what you will be putting into the mentorship, your time-commitment abilities, and what you want to gain from this opportunity.
It will be beneficial to draft up your elevator pitch and practice it on others before taking the leap and asking your future mentor for feedback. In doing this, you can practice different deliveries to your family, friends, or coworkers and make tweaks before you deliver your pitch to your career mentor. Again, have your reliable G-750 Gel pen on hand so you can write down any suggestions or input to improve your pitch.
Remember, finding a career mentor is not a one-size fits all situation. You may have to speak with several individuals before you find the right mentor for you. Be prepared to ask questions and be realistic. Taking the time to find the right mentor could be the boost you need to advance in your career.
Guno Park is a Brooklyn, NY artist whose works have been widely published in books, magazines, and other publications and hangs in many public and private collections worldwide. His primary focus is in observational and imaginative drawing and sketching.
In the blog post below, Guno explores the fundamentals of mark making from his own artist perspective. This includes discussion on the object, illumination, and technique.
What is Mark Making?
Mark making is the process of using a marker or a pen to create illustrations that convey light/shadow, form/volume, and texture to make believable graphic images. Techniques such as cross-hatching and contouring are used by artists to enhance the look and feel of a drawing or painting. It can be bold or delicate, depending on the artist’s interpretations of their vision.
Ever wonder how a drawing can look so real? What kind of spell or magic had to be cast over the surface of a drawing to portray illusions of textures and light that are so seemingly real?
Over hundreds of years, artists have been wrestling with mark making techniques to create flat surfaces that mimic the forms, textures, and atmospheres that we witness with our eyes every day in dimensional space and atmospheric light. There are countless ways to create visual illusions on the surface of the paper to do just that.
In my humble opinion, drawing can be described as “mark making.” That is all it is—making a bunch of organized marks. Whether they’re long strokes, short lines, dots, ticks, smears, or hatch marks, every way of leaving a mark on the page can be used strategically to visually explain information, to tell a story, or to express a feeling.
Here, I’ll attempt to share my thoughts about drawing convincing shapes and forms using our eyes. Then, I’ll continue to apply visual elements such as value and texture to further enhance the experience of sketching believable subject matter.
In order to explain how I use marks to create my drawings, I have to first think about what I am drawing. The object.
Whether I’m drawing a portrait, a landscape, an animal, or a forest, I have to think about its forms and volumes as a whole in order to build the space in which the objects take up. I can begin thinking about its shapes isometrically, which are essentially the silhouettes from various angles—or vantage points. Then my visual calculation can begin connecting secondary and tertiary shapes within the isometric shapes like shown above in Fig. 1.
A mountain can be seen as a big cone, a tree as a lollipop, the ground as a flat plane, and the human head as an egg shape. The clearer I can understand the object’s shapes, the better I can represent the light that is illuminating it.
To practice this, I like to take the simple shapes and use a very limited set of shades and divide planes. I can start with just 3 values—white, grey, and black. Once I feel comfortable with those 3 values, I can divide them further into 5 shades, then 9 shades, like shown above in Fig. 2.
Understanding the illumination of a drawing has a lot to do with seeing the shapes of light and shapes of shadows, but it also has much to do with understanding the behavior of light. Light is what provides us the ability to see anything at all. And the different types of light can show us the same objects in different ways. The practice of finding the various shapes and values mentioned above, is essentially finding where the light is hitting the object the brightest, creating the darkest shadows, and everything in between. The closer an artist can get those values to organize themselves harmoniously, the more illumination an image can possess.
After understanding the mechanics of visually finding the shapes of the object and studying the behavior of light, the next step is to practice putting that understanding into use using different variations of techniques. Seeing the effects of these visual variations of mark making, an artist can selectively use these tools to create the atmosphere and textures of form and space they choose.
There are countless ways to make marks in creating sketches and drawings. The basis of how I like to think when I sketch is through cross hatching. More specifically, I like to think of it in two ways of cross hatching; one way is to create patches of hatch marks to cover an area with varying levels of patches to control the values. The other way is to use the directions of the surface contours of what I’m drawing to convey two things at once like the planes of the form and how the light is touching that surface. In many cases, I will use a combination of these two ways of cross hatching to develop a drawing, as shown above.
If I can think of the surface information to a small enough degree, my marks can be directed in the ways of very fine details such as hair, wrinkles, and even differentiate between shiny and dull surfaces.
I believe that the best way to understand any drawing technique is to be able to see and understand the simplest version of the image that is being created. Going back to practicing the three values, if I can simplify my observation, I can simplify my sketch. Then after that, it is just a building up of values and textures. Fig. 4 above shows this theory in action.
Going back to my days as an art student, I always looked at the art of the past for inspiration and guidance. When working on still life paintings I was looking at Chardin and Vermeer, and as I moved to landscape imagery, I researched the different art movements through art history surrounding this subject. The French painters of the Barbizon School and the Impressionists served as the main source for my approach to painting the landscape.
After several years of working with oil paint, I was in search of a new approach, something that would make my work feel more contemporary. I stopped painting and to keep my brain sharp and my hands busy I picked up drawing. I began drawing in my sketchbook more and more. I tried different pens, not just for the quality of line and tone, but also because of their design. It’s always nice to have a good-looking product in your hands.
I came across the STEEL F-301 Ballpoint Retractable Pen, a sharp looking ballpoint pen with a stainless-steel barrel which called my attention due to its slick design. Holding it felt great, it was light weight, and the shape and size fit nicely in my hand. I was able to test the pen in the store, and automatically I fell in love with its glide. I didn’t see any skipping on the paper, and I realized that I could use it in my drawings. From that point on the STEEL F-301 has become an important tool and companion.
Last year I decided to make a full drawing outside of my sketchbook. This drawing, on cotton rag paper, would be used as an exhibition piece. I picked up a sister pen of the STEEL F-301, the 301-A Ballpoint Retractable Pen from Zebra Pen. This ballpoint pen offers the same qualities of the STEEL F-301 but features an aluminum barrel instead of stainless-steel barrel.
With this new pen, I went out to Central Park to capture the perfect scene. I settled on a view of Gapstow Bridge, which from my point of view was reminiscent of a Corot painting.
I began my drawing onsite by quickly sketching the composition. Using gestural lines, I moved about the paper trying to capture the whole effect. The key is in the movement of your wrist and the amount of pressure you apply on the pen. Always keep it light and keep it moving. Once you have the composition that works for you, you can begin by defining shapes better.
After getting my compositional lines on the paper, I continued to work on the drawing in my studio using a reference photo. At this point, I chose one element of the drawing I was very sure of, and I began to further define its shape and tone by lightly layering lines. I always start light and move on to dark tones towards the end. This allows me to make changes as I go along. It also builds soft tones and gives the drawing the feeling of light and atmosphere.
My work style focuses on the effects of light. To achieve this, I first began blocking in large areas of the drawing by using soft, light lines to build an even tone. From there, I added the darker elements; the closer things are to the foreground, the darker things get. This gives the drawing an atmospheric effect.The lighter tones recede in space, while the darker and sharper lines push forward in space.
Landscapes can be overwhelming to depict because there is a lot of information to process. It all comes down to simplifying and problem solving to reach a certain outcome. We are all aware that trees are made up of million leaves. We all know the general shape of a leaf, but are you going to draw them all, one by one? That would take too long, and it would also make your drawing look stiff.
What you are really seeing are groups of texture, and it’s always good to find these groups and break down the drawing into these larger shapes.
Some of the things I always keep in mind when working with a ballpoint pen are:
Always clean the tip every few seconds on a separate piece of paper or paper towel to avoid any ink bleeding and keep clear, crisp lines.
Hold the pen lightly like as if holding a magic wand. Hold the barrel at the middle or towards the end. Do not hold the pen tight towards the tip; that hand placement is better for writing.
To get soft and light lines, I always watch how much weight or force I’m applying on the pen. Since I don’t hold it tight, I let the pen fall on its own weight and let it gently caress the surface of the paper.
Setting goals is key to advancing your career and feeling fulfilled by your job. Whether your employer requires you to set goals as part of your performance-review process or you take the initiative on your own, it can help you to plan out your professional future.
Below we show you how to use a SMART goalframework to set realistic, achievable career goals.
As you walk through these steps, answer the questions on paper with a reliable pen. The STEEL F-701 Ballpoint Retractable Pen features a weighted stainless-steel barrel for a premium writing experience. If you prefer gel, reach for the G-350 Gel Retractable Pen. It has rapid dry gel ink technology that dries in less than a second, and comes in three fashionable barrel colors.
Be as clear and specific as possible with the goal you want to achieve. The more specific your goal is, the more you’ll understand the steps necessary to achieve it.
Below are 4 questions to ask yourself when defining the specific details of your goal:
What is my objective?
Why is this goal important?
Who is involved or responsible?
What steps will I take to achieve this goal?
The next step is to identify how you will assess the progress of your goal to ensure it is measurable. Quantifying your goal makes it that much easier to track progress.
A measurable goal should address questions such as:
How much or how many?
How will I know when the goal is accomplished?
Although your goal can be ambitious, it still needs to be realistic and attainable to be successful. Make sure your goal is not dependent on factors outside of your control.
An achievable goal should pass these questions:
How can I accomplish this goal?
How realistic is the goal, based on other constraints?
Are there factors outside my control that would impact the success of this goal?
Next, double-check that the career goal is related to your mission, values, and bigger long-term goals. If a goal doesn’t contribute toward your broader objectives, it might be best to reevaluate.
Below are questions to ask yourself to make sure your goal is relevant:
Is this goal important to me?
Is this goal aligned with my values?
Will achieving this goal help me in my longer-term goals?
SMART goals don’t stretch into infinity–they have a deadline. Instead of leaving your goal open-ended, create a timeline, and set important milestones along the way.
Ask yourself the following questions:
What is my goal timeframe?
What smaller milestones will help me stay on track?
What can I do immediately to jumpstart this goal?
It is never too late to start setting goals and look at where you can make changes in your professional future. Use the SMART goal framework to help you move forward in your career. For more professional tips, check out How to Make More Productive To-Do Lists.
When I first started sketching tiny houses, I used the STEEL F-301 Ballpoint Retractable Pen because Jordan Spilman, my late husband, had an extra one and let me use it. He had always extolled the virtues of the pen and I had rolled my eyes assuming he was exaggerating, however five years later, it is my tried and true, my go-to, my all-time favorite pen.
Today, I’ll be walking you through how I create an illustration in ballpoint with the STEEL F-301 and providing my own tips along the way. All you’ll need is the STEEL F-301, a reference photo, and a sketchbook or piece of sketch paper.
Tip 1: Begin a Light Outline
The best thing about the STEEL F-301 is its versatility. When I start a drawing, I do a very light outline to try to get a handle on the proportions and the pen allows me to make lines that are almost like pencil, but more concentrated and delicate. When I paint, I block in the entire image in highlight and lowlights, and then work from there to develop detail. When I draw, I use the opposite approach and work usually from left to right filling in form.
Tip 2: Fill in Detail from Left to Right and Don’t Forget to Blot
I work from left to right because until the ink is completely dry, it is possible to smudge or smear it with your hand. For this reason, I also rest my hand on a separate piece of paper (this also prevents the moisture in my hand from wrinkling the page.) On this separate piece of paper, I blot the pen from time to time. This keeps the ink running smoothly and avoids blots on the image.
When the house is basically blocked in and it’s time to finish up details like windows and shadows, the STEEL F-301 is amazing for achieving deep black marks. It is capable of so many different line weights which are particularly helpful for indicating shadow, texture, or foliage.
Tip 3: Use a Photo that is Already Scaled to the Size You Want for the Drawing
I don’t use rulers or any form of straight edge because in my opinion they make the drawing stiff. What I do use to maintain some sense of scale is my phone. The image on my phone is usually a similar size to the image I’m drawing, so I can look from phone to paper to double check my proportions.
Tip 4: Use a Reliable Pen
The drawings can take a few hours and during that time it’s important to have a drawing instrument that’s comfortable to hold. The STEEL F-301 is smooth and comfortable to use for extended periods. I’ve used it in very warm climates and in the snow and the ink distributes remarkably smoothly in both extremes. The steel barrel is resilient and made to last and luckily ink refills are easy to access and to install.
I’ve tried other pens throughout the years but for these reasons and more, this is the pen for me. As Ferris Bueller said, “It is so choice. If you have the means, I highly recommend picking one up.”
Brush pens have become a staple in nearly every artist’s arsenal due to their versatility in everything from calligraphy to fine art drawings. They are available in a variety of tip sizes: nib styles, ink flows, colors, and elasticities. While it takes practice and control to use a brush pen, you don’t have to be a serious artist or calligrapher to create beautiful script.
When you anticipate mistakes or don’t want to commit to ink, a mechanical pencil is the perfect option. Zebra Pen offers a wide variety of mechanical pencils that are available in both lightweight plastic and durable metal styles designed for students, professionals, and everyday writers.
It’s that time of the year again—back-to-school season! Amid all the preparation for the new school year, it’s also time to get back into the routine of taking notes. In this tutorial, we’ll go over a step-by-step guide to color code your StudyGram notes!
Hey everyone, this is Christine from @studybeanthings on Instagram, and today, I’ll be showing you how to create study notes that will not only be visually pleasing, but also aid in comprehension for whatever subject you’re studying. This article will include some tips and tricks to keep your notes organized to your preference, while keeping them fun and stimulating to look at. Color coding is especially important in taking notes. With so much information on one page, this guide will keep you focused and excited to study for your upcoming exams!
Whether you’re applying for your first professional job or are looking to elevate your career at another company, your resume is the hiring manager’s first impression of you. Depending on the position, a recruiter or hiring manager can receive hundreds of resumes to review. How can you make yours stand out? Follow these steps to create a resume that’ll get you noticed.